From our initial meetings, we learned that we’d be making a two-minute animation for the five huge screens of the NOW Building, and it would be playing for the entirety of June.
Cool cool cool.
Read MoreFrom our initial meetings, we learned that we’d be making a two-minute animation for the five huge screens of the NOW Building, and it would be playing for the entirety of June.
Cool cool cool.
Read MoreThus the concept of our posh little piggy was born: an uptight gent with an excellent sense of smell and some niche personal interests.
Read MoreThe first and most important step in the creative process was obviously to get the Christmas box down (in mid-October) and decorate the studio. Just to get in the mood, you know.
Read MoreWe started with a spider diagram of anything vaguely related to '“regrowth” that we could possibly think of. Our list included everything from weed control to David Tennant’s chopped-off hand in the 2005 Doctor Who Christmas special.
Read MoreWe first heard of the new CBBC Snow Spider TV show through the show’s composer, Cato Hoeben, who passed along our details to Jennifer Sheridan, the director. This was lovely in several different ways, but horrible for one key reason: we initially met Cato at a networking event, which proves that networking events are useful and we have to keep doing them.
Read MoreWe made an animated short film in 48 hours as part of Cardiff Animation Festival’s Quick Draw challenge. But how?
Read MoreWe tried to put together a pinterest board of inspiration. But nothing really gave the vibe that we had in our head, which was “the coat from Meteorlight, but make it fashion”.
Read MoreOur creative director Jonny (who wrote, animated and directed METEORLIGHT) wanted a language that matched the look and feel of the film. Luckily, our producer Lindsey is also a published linguist.
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